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You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
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You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
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You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
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You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
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You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
2018
2018
2018
心のゆくえ (Where does the heart go)
Multi-channel video installation
Dimensions variable
2024
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Documentation of the exhibition at The Place We Come from, The Place We Are Going to, Kyushu Geibun Kan Museum, Fukuoka, Japan
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私の作品は、主に映像とインスタレーション・アートです。 記憶や孤独のメタファーとして、光や街並みを使うことが 多いです。灯火は人間が作り出すものであり、私にとっては 人間存在の象徴のようなものです。
4年前に香港から福津市に引っ越してきたのですが、福津市 とみやま市の一番の違いは、福津市は住宅地が多いのに対し、 みやま市は田畑が多く、夜は特に静かで暗いことです。
今回の作品のタイトルは《心のゆくえ》で、中央の部分は 滞在中に筑後地域のいろいろな家庭から集めた光です。夜は とても暗いので、街灯や家の明かり、月の明かりが頼りに なります。私はこれらの家をある距離から撮影し、撮影しな がら、さまざまな人にとっての家とは何かを想像し続けまし た。窓の形や色、カーテンの素材、この小さな出口から家族 の大きさや暮らしぶりが想像できると思います。
床に置かれたブラウン管テレビでは、私が滞在中に出会った 人々のインタビュー映像が再生されています。私は、様々な 人々にとって家というものがどういう意味を持つのかを知り たいです。過去に住んでいた場所が家だと思っている人もい ます。私は外国に住んでしばらく経つので、家というものが 何なのかまだわからないけれど、将来は家の存在を感じられ るようになりたいと思っています。